{"id":34239,"date":"2024-06-21T08:00:29","date_gmt":"2024-06-21T08:00:29","guid":{"rendered":"https:\/\/pivaraskopje.com.mk\/po-skalilata-na-uspehot\/"},"modified":"2026-01-30T15:28:31","modified_gmt":"2026-01-30T15:28:31","slug":"on-the-ladder-of-success-with-petar-gorko-the-stage-heals-if-you-experience-the-acting-professions-from-the-bottom-of-your-soul","status":"publish","type":"post","link":"https:\/\/pivaraskopje.com.mk\/en\/on-the-ladder-of-success-with-petar-gorko-the-stage-heals-if-you-experience-the-acting-professions-from-the-bottom-of-your-soul\/","title":{"rendered":"ON THE LADDER OF SUCCESS WITH PETAR GORKO: \u201cTHE STAGE HEALS IF YOU EXPERIENCE THE ACTING PROFESSIONS FROM THE BOTTOM OF YOUR SOUL\u201d"},"content":{"rendered":"\t\t
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Christian de Neuvillette in the play \u201d Cyrano de Bergerac\u201d, then Macbeth, Henry the Sixth, then Henry the Eighth from Shakespeare, Tito in Branko Brezovec\u2019s project\u2026 it is a long list of mostly leading roles played during the career of one of the most masterful actors of the Bitola and the Macedonian theater in general \u2013 Petar Gorko. This year, he marks the end of 3.5 decades of fruitful work on the theater stage, which he will celebrate in the fall through a joint performance with the Bitola Chamber Orchestra. During this period, he played about 100 roles, 40 leading roles, 19 roles only from Shakespeare\u2019s works, over 2,000 plays. Without his accomplishments, the Bitola National Theater would be poorer for a top actor who plays every role equally well, giving himself unreservedly, and delighting the audience with his talent, charisma and dedication.<\/p>

\u201cThirty-five years spent on stage is like a lifetime, full of beauty, discomforts, nervousness, passions, desires, hopes, disappointments, and virtues. Most importantly, the love for the theater does not pass or decrease. I enjoy the stage to this day, and I hope for many years to come,\u201d says Gorko.<\/p>


Babec encouraged him to go to the theater<\/em><\/strong><\/p>

His beginnings lead to the only former gathering place for children and youth in Bitola, the \u201cTrajche Maglovski\u201d Pioneer Center. He was in the recital section from the second grade, and his talent allowed him to be involved in events with the doyens of the Bitola National Theater even as a child.<\/p>

\u201cA wonderful period that brought me to performances with certain actors on the occasion of major holidays and the New Year. Some of them were Petar Stojkovski-Babec and Joana Popovska. Babec motivated me to come to the theater, and apparently, there were big mass plays with many child extras, and I became a part of almost every play. I had about 200 performances while I was enrolled at the Academy. The theater overwhelms you; you fall in love with it, and it becomes a part of your life. That\u2019s what happened to me,\u201d says Gorko.<\/p>


He delivered a one-page long monologue from the Iliad in one breath<\/em><\/strong><\/p>

Even before he was ready to enroll, he had decided to study at the Faculty of Dramatic Arts. His parents were not too happy with that decision, but he was convinced he was choosing the right path. As a student, his professors changed \u2013 he started in the class of Vladimir Milchin, then Slobodan Unkovski, and graduated with Ljubisha Georgievski. This allowed him to learn from some of the best theater directors and acting professors, not only in Macedonia but also in the former Yugoslavia.<\/p>

\u201cDifferent approaches, methods, teachings, but all that was not terrible because my strong desire led me forward. I worked tirelessly, tried hard, and proved myself. Here\u2019s one moment \u2013 I watched Zharko Laushevic in Milchin\u2019s \u2018Saint Sava\u2019 delivering a monologue in one or two breaths. I was delighted and started to exercise. It was in the third year, when after a stage speech exam, we had the task of choosing a monologue from the Iliad. My monologue was one page, and I learned to deliver it in one breath. It was a great achievement then. More for me personally, few people noticed it, but for me, it meant discipline and maintenance of the speech apparatus, which I still cherish to this day,\u201d says Gorko.<\/p>


<\/em><\/strong>He got a job at the Bitola National Theater just four days after graduation<\/em><\/strong><\/p>

Although he wanted to work and create in Belgrade, his graduation coincided with the breakup of Yugoslavia. At the same time, the situation at home also changed, so he did not want his mother to remain alone. He got a job at the theater in his native Bitola together with two colleagues, Juliana Stefanova and Valentina Gramosli. They graduated on September 26th<\/sup>\u00a0and got a job on October 1st<\/sup>, 1991, after only four days. He never regretted returning home and to his home theater.<\/p>

After playing so many roles, he says that he finds himself in each of them, sometimes more, sometimes less, but he stands behind them all with his whole soul and body. He believes that honesty and love are the most important things with which he reaches the audience.<\/p>


Acting is a demanding but noble profession<\/em><\/strong><\/p>

\u201cThe theater is life, which is not parallel, but intertwined with normal life. You study nonstop, read books, listen to music, always with a goal, for a specific role. It happens very often that I change my appearance, image for a role. We have a noble profession, pure psychotherapy if you experience it sincerely from the bottom of your soul. Many times, the stage heals, and it should be used in the most positive sense,\u201d adds Gorko.<\/p>

He admits that theater work is very difficult and quite demanding. There were times when rehearsals lasted all day, followed by a premiere in the evening, and instances of performing two shows in one evening or participating in theater projects that lasted for hours.<\/p>

\u201cBut for a dedicated worker, it is not daunting. Different directors have different ways of working, both in terms of time and artistic approach. We\u2019ve had productions where we worked literally all day, with rehearsals punctuated by small breaks for lunch and then back to work. It\u2019s grueling, exhausting, but also brilliant. However, most directors prefer morning rehearsals, with the performance in the evening. For instance, one year I had 13 plays in the repertoire, with four of them featuring me in the leading role, all while simultaneously preparing for new productions. It was exhausting, demanding immense dedication and concentration. Especially when handling two plays by the same translator, the texts can blend in your mind. Of course, this happens mentally, not on stage,\u201d says Gorko.<\/p>


He had to act even when his loved ones were in the hospital<\/em><\/strong><\/p>

He experienced the happiest and most difficult moments on stage. The happiest moments were marked by successful rehearsals, delivering a well-played role, and receiving applause from the audience. The most challenging experience for him was when his son fell ill as a child, requiring urgent treatment in Skopje, yet he had to return to act in a play. At that time, the director told him, \u201cThe play will not be canceled; the child has a mother.\u201d This situation also happened to two other actors.<\/p>

The dedication and hard work brought him numerous awards from the jury of esteemed festivals, as well as recognition from audiences, media, foundations, and the Society of Writers. He also received the \u201c4th<\/sup>\u00a0of November\u201d award from the Municipality of Bitola. His theater career took him almost all over the world. With the play \u201cTito,\u201d he toured in Florence and Hamburg, and with \u201cHenry the Sixth,\u201d he performed in London and Beijing. Additionally, he embarked on tours in America and Russia, among other places.<\/p>

\u201cEverywhere we, the actors, recognize each other because of similar theatrical and life experiences. It\u2019s an interesting phenomenon. As for respect, that varies depending on the country they live in, but politically speaking, we are the ministry that is mentioned last in the order of ministries,\u201d adds the actor.<\/p>

80 years of Bitola National Theater \u2013 the quality must be preserved for the next generations<\/em><\/strong><\/p>

He believes that theater can highlight problems in life and encourage certain processes.<\/p>

\u201cFor the second time, a play was banned at the Bitola Theater \u2013 first \u2018Mara\u2019s Wedding\u2019 and then \u2018Tito\u2019. It wasn\u2019t the same each time, but it happens, influenced by certain individuals. Back then, they changed the Minister of Culture to demonstrate their disapproval of such occurrences. Later, we underwent a revolutionary change, if you recall, with the support of you and the audience, when we replaced two directors. Once again, it boils down to community and the determination to preserve the theater that previous generations entrusted to us, and which we must pass on to future generations. My perennial question has been \u2013 what kind of theater will we leave behind?\u201d<\/p>

\u201cThis year, the Bitola National Theater celebrates its 80th<\/sup>\u00a0anniversary as the first theater in Macedonia performing in the Macedonian language. It\u2019s not only the finest theater in Macedonia but also esteemed more broadly. Despite turbulent periods, I sincerely hope that we will pass it on to the younger generations,\u201d says Gorko.<\/p>

Zhaneta Zdravkovska<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t","protected":false},"excerpt":{"rendered":"

  Christian de Neuvillette in the play \u201d Cyrano de Bergerac\u201d, then Macbeth, Henry the Sixth, then Henry the Eighth from Shakespeare, Tito in Branko<\/p>\n","protected":false},"author":1,"featured_media":34237,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1904,1906],"tags":[],"class_list":["post-34239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-media-center","category-careers"],"acf":[],"yoast_head":"\nON THE LADDER OF SUCCESS WITH PETAR GORKO: \u201cTHE STAGE HEALS IF YOU EXPERIENCE THE ACTING PROFESSIONS FROM THE BOTTOM OF YOUR SOUL\u201d - Pivara Skopje<\/title>\n<meta name=\"description\" content=\"Up to the ladder of success with Petar Gorko: we talk about his talent, charisma, and achievements at the Bitola National Theatre.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pivaraskopje.com.mk\/en\/on-the-ladder-of-success-with-petar-gorko-the-stage-heals-if-you-experience-the-acting-professions-from-the-bottom-of-your-soul\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ON THE LADDER OF SUCCESS WITH PETAR GORKO: \u201cTHE STAGE HEALS IF YOU EXPERIENCE THE ACTING PROFESSIONS FROM THE BOTTOM OF YOUR SOUL\u201d - 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