{"id":34393,"date":"2024-03-15T08:00:19","date_gmt":"2024-03-15T08:00:19","guid":{"rendered":"https:\/\/pivaraskopje.com.mk\/koga-bev-student-nino-levi\/"},"modified":"2026-01-31T18:56:07","modified_gmt":"2026-01-31T18:56:07","slug":"when-i-was-a-student-with-actor-nino-levi-i-was-already-hooked-and-without-telling-my-parents-instead-of-graduating-psychology-i-applied-to-fdu-and-was-accepted-from-the-first","status":"publish","type":"post","link":"https:\/\/pivaraskopje.com.mk\/en\/when-i-was-a-student-with-actor-nino-levi-i-was-already-hooked-and-without-telling-my-parents-instead-of-graduating-psychology-i-applied-to-fdu-and-was-accepted-from-the-first\/","title":{"rendered":"WHEN I WAS A STUDENT WITH ACTOR NINO LEVI: \u201cI WAS ALREADY HOOKED AND WITHOUT TELLING MY PARENTS, INSTEAD OF GRADUATING PSYCHOLOGY, I APPLIED TO FDU AND WAS ACCEPTED FROM THE FIRST\u201d"},"content":{"rendered":"\t\t
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\u201cI was frequently asked about why I didn\u2019t complete my psychology studies. At FDU, there simply wasn\u2019t time for anything else. Our days were packed with university lectures covering theoretical courses in the mornings, followed by practical sessions involving stage movements, speech, and acting in the afternoons. Our class was truly exceptional\u201d reminisced the actor.<\/strong><\/em><\/p>

He knew from a young age that he would be an actor. His love for acting was born from movies. Even as a child, he auditioned for the film \u201cMirko i Slavko,\u201d but unfortunately, he wasn\u2019t chosen. However, this didn\u2019t dampen his interest in acting. Later, life led him to study other professions, such as psychology. But in the end, before graduation, he bravely decided to attend the Faculty of Dramatic Arts. With that, he fulfilled his childhood wish of becoming an actor, which he had written in the school journal.<\/p>

Nino Levi, one of the most accomplished Macedonian theater, film, and television actors, recently announced his formal retirement after a remarkable 34-year career with his parent Macedonian National Theatre, during which he portrayed 70 diverse roles. Despite his retirement, Levi continues to breathe life into the stage through his enduring presence in the current repertoire. He says, \u201cFor me, there is no pension! I continue to work while my legs hold me. We, actors, are said to be able to act as long as we can remember and deliver a line!\u201d<\/p>

\u00a0<\/p>

He applied to be an actor even as a child through an advertisement in \u201cMikiev zabavnik\u201d<\/strong><\/p>

He was born in 1960 in Skopje, at a time when going to the cinema was a genuine pleasure, and the allure of movie magic held significant value.<\/p>

\u201cI have loved this profession since I was a child, probably from watching movies when we regularly went to the cinema,\u201d recalls Levi. \u201cI remember, then there was a call for child actors for the movie \u2018Mirko I Slavko\u2019 in the newspaper \u2018Mikiev zabavnik.\u2019 I immediately applied. Unfortunately, I was not selected. At that time, we wrote school journals. In them, we answered various questions. Among them, was the question about the future profession. My answer was \u2013 an actor.\u201d<\/p>

He completed his high school education at \u201cOrce Nikolov.\u201d At the end of each school year, the students celebrated with a stage performance called \u201cGimnazijada.\u201d. His class consistently secured second place in the competition, as the top position was typically reserved for the class attended by the renowned Macedonian director Milcho Manchevski.<\/p>

\u00a0<\/p>

The \u201cCouncil of Elders\u201d directed him towards psychology studies<\/strong><\/p>

Levi recalls that after graduation, the \u201cCouncil of Elders\u201d \u2013 comprised of aunts, uncles, and other relatives \u2013 convened at their house to deliberate on his university enrollment. Even at that young age, he was certain of his aspiration to become an actor. However, it was challenging to assert this ambition within a family environment that predominantly valued philosophy.<\/p>

\u201cThey asked me: \u2018Where do you want to study?\u2019 I told them FDU as if out of the blue. \u2018What, you want to be an actor?\u2019 they asked, surprised. My uncle was Jonche Josifovski, one of the founders of the Faculty of Philosophy. And then they started: \u2018That is an insecure profession, actors are like this, like that,\u2019 you already know what prejudices they had back then. I succumbed to the pressure and enrolled in psychology,\u201d says the actor.<\/p>

\u00a0<\/p>

Member of the theater workshop at the Faculty of Philosophy<\/strong><\/p>

But life had another plan for him. As often happens, when there is a strong desire for something, Nino finds himself drawn to a new path. While attending lectures at the Faculty of Philosophy, a theater workshop formed under the guidance of Kiril Temkov and directed by Ljubisa Nikodinovski-Bis and Vlade Milchin.<\/p>

\u201cI said to myself \u2013 if I can\u2019t study acting, at least I will do it as a hobby. And I joined,\u201d Nino recounts.<\/p>

In January 1980, their first play, \u201cThe Green Goose,\u201d premiered and caused a sensation. It played to a packed audience at the Faculty of Philosophy, marking Nino\u2019s inaugural performance before a live audience. With this success, they embarked on a tour across the former Yugoslavia, visiting cities like Maribor, Ljubljana, Nova Gorica, Zagreb, Shibenik, Mostar, Sarajevo, Novi Sad, Belgrade, Podgorica, and even reaching Italy, with performances in Capri, Naples, and Ischia. Subsequent plays, including \u201cZhivotinska Farma,\u201d \u201cPepelashka vo Popraven Dom,\u201d and others, followed suit.<\/p>

\u00a0<\/p>

Instead of completing his psychology degree, he enrolled at FDU<\/strong><\/p>

\u201cIn the spring of 1983, I became a graduate student in psychology, and it was already time to decide what to do next. I had four more psychology exams, the more difficult ones, and I had to deal with them seriously. But the urge to pursue acting got the better of me, and without informing my parents, I applied to FDU. Surprisingly, they accepted me right away,\u201d says Levi.<\/p>

The entrance exam resembled today\u2019s standards. It required candidates to present a self-selected monologue, a recital set to the poem \u201cSternata\u201d by Blazhe Koneski and perform a singing piece. Levi opted for a monologue from Chekhov\u2019s one-act play \u201cTragedian in Spite of Himself\u201d as part of his audition.<\/p>

\u201cMilcho Manchevski helped me prepare the monologue. I stayed at his house, and I recall how efficiently he woke me up to rehearse the lines. Despite my prior experience with the theater workshop, I felt extremely nervous during the audition. I even found myself repeating a line, I sort of brushed it off with an \u201cI said so\u201d demeanor. However, my joy knew no bounds when I learned that I was among the approximately 70 candidates accepted,\u201d Levi reminisces.<\/p>

\u00a0<\/p>

Student days \u2013 the most exciting time in life<\/strong><\/p>

I was frequently asked about why I didn\u2019t complete my psychology studies. At FDU, there simply wasn\u2019t time for anything else. Our days were packed with university lectures covering theoretical courses in the mornings, followed by practical sessions involving stage movements, speech, and acting in the afternoons. Our class was truly exceptional: Noli, Suhi, Tihomir Stojanovski, Jordan Vitanov, Dubravka Kiselichki, Bube Bojkovski, Sasho Ognenovski, Sonja Jachevska, and others. Ljubisha Georgievski was our drama coach for the first three years, and we graduated in Slobodan Unkovski\u2019s class,\u201d Levi recalls.<\/p>

Their graduation play was Shakespeare\u2019s \u201cA Midsummer Night\u2019s Dream,\u201d and Nino played the role of Oberon.<\/p>

\u201cI was fortunate to learn from the greatest actors in our country\u2019s theater scene and beyond \u2013 Milchin, Ljubisha, Unko, each with their unique sensibilities. From them, I acquired the foundational principles of acting. Moreover, every preparation for a new play served as a valuable lesson,\u201d added Levi.<\/p>

\u00a0<\/p>

When they prepared for a play, there was no Sunday, holiday, or non-working day<\/strong><\/p>

He began his professional career at MNT in 1989, initially portraying minor roles. However, a significant generational shift occurred, and within a short span, ten young actors were admitted: Toni Mihajlovski, Nikola Ristanovski, Magdalena Rizova, Vlado Jovanovski, Vladimir Jachev, Vladimir Endrovski, Aleksandar Mikic, Jordan Simonov, Trajche Georgiev, Kili, and Igor Djambazov. This influx was accompanied by the emergence of young directors and playwrights such as Sasho Milenkovski, Aco Popovski, Dejan Dukovski, Srdjan Janikijevic, and Sinisha Evtimov.<\/p>

\u201cA wonderful theatrical atmosphere was created; we were young, full of energy and enthusiasm, echoing our acting guru K. Stanislavski\u2019s philosophy of strong positive energy. We worked at turbo speed. When preparing a play, there were no holidays, Sundays, or non-working days for us. This period yielded long-standing productions like \u201cNaroden Pratenik,\u201d \u201cBure Barut,\u201d \u201cMME Koj Prv Pochna,\u201d and others,\u201d Levi recalls fondly.<\/p>

\u00a0<\/p>

He played 70 roles, each of which he cherishes as if they were his children<\/strong><\/p>

He made his screen debut in 1982 with the filming of \u201cBanovic Strahinja,\u201d starring Franko Nero and Dragan Nikolic. Levi recalls that when they were searching for extras, the entire neighborhood eagerly signed up. He was cast as a guard and had a line in the film.<\/p>

Levi has portrayed over 70 roles, with 53 of them in his parent theater. He finds it challenging to pick a favorite play, as he views his roles akin to his children. However, if he were to single out a few, they would include \u201cPerverzii\u201d directed by Moni Damevski, which consistently filled the Drama Theatre every week. Additionally, \u201cCenzor,\u201d \u201cSomnitelno Lice,\u201d \u201cThe Marriage of Figaro,\u201d \u201cNaroden Neprijatel,\u201d and \u201cSiljan Shtrkot Shanca\u201d hold special significance. He also mentions his production debut in \u201cZa Nas Pochnuva Zhivot,\u201d directed by Dejan Projkovski and performed at the Drama Theater Skopje.<\/p>

Zhaneta Zdravkovska<\/p>\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t","protected":false},"excerpt":{"rendered":"

  \u201cI was frequently asked about why I didn\u2019t complete my psychology studies. At FDU, there simply wasn\u2019t time for anything else. 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